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PD Dr. Sascha Pöhlmann

Present position

Associate Professor (Akademischer Oberrat a.Z.), American Literary History, LMU Munich, Germany (since April 2007)

Education

July 2008-April 2014: Habilitation, "Future-Founding Poetry: Topographies of Beginnings from Whitman to the 21st Century" (completed on April 30)
April 2007-July 2008: Ph.D. student at Ludwig-Maximilians-Universität Munich (completed on July 2)
April 2004-March 2007: University of Bayreuth; Ph.D. student in American Studies; dissertation project: "Pynchon's Postnational Imagination"
April 2004: Magister Artium; thesis on “Identity and Self in James Joyce’s Ulysses and Thomas Pynchon’s Gravity’s Rainbow
2002-2004 University of Bayreuth
2001-2002 Trinity College Dublin
1999-2001 University of Bayreuth; English literature, English linguistics, philosophy
1998 Abitur; Otto-Hahn-Gymnasium Marktredwitz

Positions held

since 2017: member of the DFG network "Americana: Aesthetics, Authenticity, and Performance in US-American Popular Music" (Link)
2009-2012: member of the DFG research group "Anfänge (in) der Moderne: Theoretische Konzepte, literarische Figurationen, historische Konstruktionen"
Erasmus guest lecturer at the American Studies Center, Warsaw University (March 2008), the University of Southern Denmark, Odense (March 2010), the University of Cordoba (March 2011), and the University of Exeter (March 2017)
August-December 2006: visiting lecturer at Weber State University, Ogden, UT
2004-2007: teaching position in American Studies, University of Bayreuth

Teaching

Thomas Pynchon
Ireland and the USA
Violence and Culture
The Theatre of the Absurd
Writing Gender: American Women Writers
Representations of War in American Culture
American Counterculture
Contemporary American Fiction
Queer Theory
Banned Books
Puritan Texts
Pynchon's Worlds
American Poetry of the 20th Century
Gravity's Rainbow Reading Group
Queerness in Matthew Barney's Cremaster Cycle
Ulysses
Reading Group
Theories and Methods in American Studies (5x)
Introduction to American Literary History (5x)
Walt Whitman: Poetry and Prose
Democratic Texts
American Romanticism
Literature and the Environment
Marxist Theory
American Modernism
Literature as Visual Culture
Beat Generation
Video Game Studies
Canadian Fiction
Historiographic Metafiction

Scholarships, grants, etc.

2011: BAA Fellow at the Kluge Center, Library of Congress, Washington, DC
2009: BAA Dissertation Prize
2005: BAA Research and Travel Grant, University of Illinois at Chicago
2003: DAAD Research and Travel Grant, Trinity College Dublin
2001-2002: DAAD Scholarship, Trinity College Dublin

Editorial work

Conference organization

  • Opening meeting of the DFG research network "Americana: Aesthetics, Authenticity and Performance in US-American Popular Music." Munich, October 26-29, 2017.
  • with Thoren Opitz (LMU Munich): seminar and symposium "International Whitman Week." Munich, July 27-August 1, 2015.
  • with Stephanie Blalock (University of Iowa), Christine Gerhardt (Bamberg), and Kenneth Price (University of Nebraska): symposium "Whitman and the Poetry of War." Munich, August 1, 2015.
  • with Julius Greve (Cologne): conference "America and the Musical Unconscious." Junior Year in Munich, May 30-31, 2014.
  • with Martin Lüthe (Berlin): conference "Unpopular Culture." Amerika-Haus Munich, October 31-November 3, 2013.
  • with Georgiana Banita (Bamberg): conference "Electoral Cultures: American Democracy and Choice." Amerika-Haus Munich, November 1-4, 2012. www.electoralcultures.com
  • with Klaus Benesch, Tobias Döring, Maha El Hissy, and Bernhard Teuber (LMU Munich): "Gründungsorte / Foundational Sites." Munich, May 3-5, 2012.
  • with Hans-Peter Söder (Junior Year in Munich): "Revolutionary Leaves: The Fiction of Mark Z. Danielewski. Munich, May 20-21, 2011.
  • with Torsten Kathke (LMU Munich): "Postgraduate Forum 2009." Postgraduate conference at the Amerika-Haus and Amerika-Institut, Munich, October 30-November 1, 2009.
  • "Against the Grain: Reading Pynchon's Counternarratives." International Pynchon Week, Amerika-Haus Munich, June 11-14, 2008.

Workshop / panel organization, etc.

  • with Julius Greve (Oldenburg): workshop "Modernist Generation: The Making of Those Who Make It New." Annual Conference of the German Association for American Studies, University of Hannover, June 2017.
  • with Susanne Leikam (Regensburg): workshop "The Emplacement of American Lives." Annual Conference of the German Association for American Studies, University of Mainz, June 2012.
  • with Torsten Kathke (Munich): "PGF Workshop." German Association for American Studies conference, Berlin, May 2010.
  • with Krystyna Mazur (Warsaw): workshop "Beginning America and the World: Walt Whitman." Biannual Conference of the European Association for American Studies, Dublin, March 2010.
  • "If we have never been modern, then what has happened to us?", Seminar with Prof. Bruno Latour, LMU Munich, February 2010.
  • with Margret Fetzer and Julia Stenzel (LMU Munich): "Scheiternde Anfänge im 19. Jahrhundert." Workshop of the DFG research group "Beginnings in/of Modernity," Munich, December 2009.
  • Chair: "Frauenbilder, Gender Studies und Intersektionalität." Panel at the Gradnet conference, University of Erlangen, November 2009.
  • Chair: "From Mexico to Japan: Memories of the Other." Panel at the Annual Conference of the Polish Association for American Studies, University of Warsaw, October 2008.
  • Chair: "American Literature since 1900." Panel at the Annual Conference of the Rocky Mountain Modern Language Association, Reno, Nevada, October 2008.
  • Chair: "Deathward and Other Plots." Panel at the conference "Terrorism, Media, Literature: Don DeLillo and the Ethics of Fiction." University of Osnabrück, April 2008.
  • "Physik in der postmodernen Literatur." Workshop, Heisenberg-Tag der Studienstiftung des deutschen Volkes, Max-Planck-Institut Munich, May 2007.
  • "Feminist Rewritings." Workshop, University of Bayreuth, June 2006.

Presentations

  • "'Who touches this touches a man': Walt Whitmans haptische Ästhetik." Workshop Fingerspitzengefühl: Zwischen Kunst und Wissenschaft. Munich, February 2018.
  • "Whitman and Everything: Playing with the Poetics of Scale." 44th annual conference of the Austrian Association for American Studies. Salzburg, November 2017.
  • "Missing the People: Populist Aesthetics and Unpopular Resistance." The Comeback of Populism. 17th annual conference of the Bavarian American Academy. Munich, July 2017.
  • "Future-Founding Poetry: Topographies of Beginnings from Whitman to the 21st Century." University of Exeter, March 2017.
  • "Exotics on Earth in Allen Ginsberg’s 'Poem in the Form of a Snake That Bites Its Tail.'" Conference The Environment and Human Migration: Rethinking the Politics of Poetry. University of Bamberg, November 2016.
  • "What is Unpopular Culture?" Fulbright Lecture Series, LMU Munich, July 2016.
  • Faculty member at International Whitman Week 2016, University of Exeter, May 30 - June 4, 2016 (five plenary presentations, four small-group discussion sessions).
  • "Walt Whitman’s Poetics of Reconstruction after 1865." University of Tübingen, May 2016.
  • "Theorizing Unpopular Culture." Workshop for Ph.D. candidates, International Graduate Centre for the Study of Culture, University of Gießen, April 2016.
  • "'Had the data, yes, but did not know, with senses or heart': Big Data in Thomas Pynchons Gravity’s Rainbow." Workshop Debating the Quantified Self. University of Mannheim, March 2016.
  • "Die ganze amerikanische Literatur in 45 Minuten." Stadtbibliothek Grassau, February 2016.
  • "'Names by themselves may be empty, but the act of naming...': Pynchons sprechende Namen." Workshop Poetik der Namen. Comparative Literary Studies, LMU Munich, February 2016.
  • "'Shit, money, and the Word, the three American Truths': Geld als Metarealität in Thomas Pynchons Bleeding Edge." Lecture series Geld: Wert und Werte. University of Eichstätt, November 2015.
  • "Talking around Orbit." International Pynchon Week 2015. Athens, June 2015.
  • "Die Zukunft war früher auch besser: Anfang und Zukunftsimagination in amerikanischer Lyrik." Antrittsvorlesung. LMU Munich, December 2014.
  • "Dehumanizing Humanism: Culture and Narrative in David Markson’s Tetralogy." Disembodied Voices – Unembodied Narration. An Interdisciplinary Workshop. Freie Universität Berlin, November 2014.
  • "Starting the Future from Paumanok: Whitman’s Emplaced Beginnings." SEFOC: Searching for Culture. International Cultural Studies Conference. Palacký University Olomouc, October 2014.
  • "Der (literarische) Kontext der Postmoderne." Coen Country: Pfade durch Amerika und die Moderne (in Filmen von Joel & Ethan Coen).Theodor-Heuss-Akademie, October 2014.
  • "Whitman's Futures: Performing Utopia." America After Nature: Democracy, Culture, Environment. 61st annual convention of the German Association for American Studies. University of Würzburg, June 2014.
  • "Future-Founding Poetry: Topographies of Beginnings from Whitman to the 21st Century." John-F.-Kennedy-Institut, FU Berlin, May 2014.
  • "Death and Hell: Politisierungen des Black Metal." AJZ Chemnitz, October 2013.
  • "Friends of the Earth: The American Ecological Novel." Gymnasium Raubling, April 2013.
  • "From Whitman to 9/11: Future-Founding American Poetry." University of Erlangen, April 2013.
  • "Freedom and Technology in American Literature." Theodor-Heuss-Akademie, March 2013.
  • "Black Metal: Ästhetik und Politik." Doom over Leipzig Festival, March 2013.
  • "From Whitman to 9/11: Future-Founding American Poetry." University of Regensburg, January 2013.
  • "Vote With a Bullet: The Aesthetics of Assassination in American Fiction." Electoral Cultures conference, Amerika-Haus Munich, November 2012.
  • "Entropy and Agency in The Crying of Lot 49." University of Siegen, May 2012.
  • "Walt Whitman's Unfinished City: Washington, D.C. as a Place of Beginnings." Gründungsorte conference, LMU Munich, May 2012.
  • "American Fiction after 1960." Teacher seminar, Amerika-Haus Munich, March 2012.
  • "Walt Whitman's Future-Founding Poetry." The Library of Congress, December 2011. Webcast available online.
  • "Future-founding Poetry after 9/11." 9/11 - Ten Years After, Looking Ahead. University of Bonn, September 2011.
  • "Imagining 18th-Century Globalization: Transatlantic and Transnational Phenomena in Thomas Pynchon’s Mason & Dixon." 8th Symbiosis Conference, University of Glasgow, June 2011.
  • "Breaking the Monopoly on Community: Postnational Strategies." University of Cordoba, March 2011.
  • "The Postnational Space of the Zone in Gravity's Rainbow." University of Antwerp, December 2010.
  • "Pynchon's Games." International Pynchon Week 2010, Marie Curie-Skłodowska University, Lublin, June 2010.
  • "Green is the New Black (Metal): Wolves in the Throne Room, Walt Whitman und Environmental Criticism." Metal Matters conference, Braunschweig University of Art, June 2010. Video available online.
  • "Whitman and the Invention of Mannahatta." University of Southern Denmark, Odense, March 2010.
  • "The Postmodern American Novel." Teacher seminar, Amerika-Haus Munich, February 2010.
  • "Nation und Narration." Lecture series "Language, Literature, Culture," LMU Munich, January 2010.
  • "The Liberation from Narrative: Poetry and 9/11." 9/11 as Catalyst: American and British Cultural Responses, University of Bayreuth, November 2009.
  • "American Fiction in the 20th Century." Amerika Haus Munich, October 2009.
  • "Kartographie, Aufklärung und Territorialität: Die Vermessung der Neuen Welt in Thomas Pynchons Mason & Dixon." 32. Annual Conference of the Lichtenberg Society, July 2009.
  • "Nation Trouble: Remapping the World in 20th-Century Fiction." University of Wrocław, May 2009.
  • "Whitman's Topography of Perpetual Beginnings." University of Wrocław, May 2009.
  • "The New Common Ground: Postnational Strategies in Literature, Film, Music, and Fine Art." Wyższa Szkoła Filologiczna, Wrocław, May 2009.
  • "Whitman's Leaves of Grass and Places of Beginnings." PGF, University of Münster, November 2008.
  • "Cosmographic Metafiction in Sesshu Foster's Atomik Aztex." "The Past and the Present: The American Uses of History": Annual Conference of the Polish Association for American Studies. University of Warsaw, October 2008.
  • "'The Solipsist Errs': Narrating I2 in Shelley Jackson's Half Life." "(Re-)Constructions of Subjectivity in Contemporary Literature and Culture." Heinrich-Heine-University, Düsseldorf, April 2008
  • "Postnationalism and Against the Day." Catholic University of Lublin, March 2008
  • "Queering Nationalism in Patrick McCabe's Breakfast on Pluto." "The Vagaries of Subjectivity: Queer Perspectives on Subject Formation and the Critique of Identity." Warsaw University, March 2008.
  • "How the Other Half Dies: Narrating Identities in Shelley Jackson's Half Life." Postgraduate Forum, University of Erlangen, November 2007.
  • "Shining on the Nothing New: Re-Making the World in Mark Z. Danielewski's Only Revolutions." R/Evolutions Symposium. Glasgow University, October 2007.
  • "Pynchon's Parageography." Annual Conference, Rocky Mountain Modern Language Association, Tucson, AZ, October 2006.
  • "Thomas Pynchon: Postmodernism and Postnationalism." University of Bayreuth, July 2006.
  • "Silences and Worlds: Wittgenstein and Pynchon." International Pynchon Week, Universidad de Granada, June 2006.
  • "Approaches to Hollowness: Surface, Representation and the Originality of the Forger in The Recognitions and Finnegans Wake." "50 Years The Recognitions." The State University of New York at Buffalo, March 2005.


Publications

Monographs

  • Future-Founding Poetry: Topographies of Beginnings from Whitman to the Twenty-First Century. Rochester, NY: Camden House, 2015.
  • Pynchon's Postnational Imagination. Heidelberg: Winter, 2010.

Edited volumes

  • Unpopular Culture. Co-editor with Martin Lüthe. Amsterdam: Amsterdam University Press, 2016.
  • America and the Musical Unconscious. Co-editor with Julius Greve. New York: Atropos, 2015.
  • Electoral Cultures: American Democracy and Choice. Co-editor with Georgiana Banita. Heidelberg: Winter, 2015.
  • Gründungsorte der Moderne: Von St. Petersburg bis Occupy Wall Street. Co-editor with Maha El Hissy. Paderborn: Wilhelm Fink, 2014.
  • Revolutionary Leaves:The Fiction of Mark Z. Danielewski. Editor. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012.
  • Against the Grain: Reading Pynchon's Counternarratives. Editor. Amsterdam: Rodopi, 2010.
  • Co-editor (with Torsten Kathke). Current Objectives in Postgraduate American Studies 11 (2010). http://www-copas.uni-regensburg.de/articles/issue_11/11_00_contents.php

Essays

  • "Die Metarealität des Geldes in Thomas Pynchons Roman Bleeding Edge." Geld: Wert und Werte. Ed. Annika Schlitte, Alexander Denzler, and Franziska Huditz. Würzburg: Königshausen & Neumann, 2017. 137-58.
  • "Canon Fodder: Thomas Pynchon, Unpopular Culture, and the Invention of Postmodernism." Reading the Canon: Literary History in the 21st Century. Ed. Philipp Löffler. Heidelberg: Winter, 2017. 167-85.
  • "Thomas Pynchon, The Crying of Lot 49 (1966)." Handbook of the American Novel of the Twentieth and Twenty-First Centuries. Ed. Timo Müller. Berlin: De Gruyter, 2017. 322-36.
  • "Introduction: What is Unpopular Culture?" (with Martin Lüthe). Unpopular Culture. Ed. Martin Lüthe and Sascha Pöhlmann. Amsterdam: Amsterdam University Press, 2016. 7-29. (Download as PDF)
  • "Walt Whitman's Politics of Nature and the Poetic Performance of the Future in 'Crossing Brooklyn Ferry.'" America After Nature: Democracy, Culture, Environment. Ed. Catrin Gersdorf and Juliane Braun. Heidelberg: Winter, 2016. 121-42.
  • "'I Just Look at Books': Reading the Monetary Metareality of Bleeding Edge." Orbit: Writing around Pynchon 4(1): 1–37. DOI: http://dx.doi.org/10.16995/orbit.189
  • "Whitman's Compost: The Romantic Posthuman Futures of Cascadian Black Metal." Sounds of the Future: Musical and Sonic Anticipation in American Culture. Ed. Jeanne Cortiel and Christian Schmidt. ACT: Zeitschrift für Musik und Performance 6 (December 2015). http://www.act.uni-bayreuth.de/de/archiv/201506/02_Poehlmann/index.html
  • "Introduction: What is the Musical Unconscious?" (with Julius Greve). America and the Musical Unconscious. Ed. Julius Greve and Sascha Pöhlmann. New York: Atropos, 2015. 7-50.
  • "Starting the Future from Paumanok: Whitman’s Emplaced Beginnings." New Perspectives on American Poetry: From Walt Whitman to the Present. Ed. Jiri Flajsar and Pavlina Flajsarova. Olomouc: Univerzita Palackého v Olomouci, 2015. 7–22.
  • "Vote With a Bullet: The Aesthetics of Assassination in Stephen King's The Dead Zone and 11/22/63." Electoral Cultures: American Democracy and Choice. Ed. Georgiana Banita and Sascha Pöhlmann. Heidelberg: Winter, 2015. 69-97.
  • "Life, Liberty, and the Pursuit of the Presidency: Elections and American Culture" (with Georgiana Banita). Electoral Cultures: American Democracy and Choice. Ed. Georgiana Banita and Sascha Pöhlmann. Heidelberg: Winter, 2015. 7-28.
  • "Walt Whitmans unfertige Stadt: Washington, D.C. als Anfangsort." Gründungsorte der Moderne: Von St. Petersburg bis Occupy Wall Street. Ed. Maha El Hissy and Sascha Pöhlmann. Paderborn: Wilhelm Fink, 2014. 117-43.
  • "Queer Time & Space in Matthew Barneys Cremaster Cycle." Cremaster Anatomies: Beiträge zu Matthew Barneys CREMASTER Cycle aus den Wissenschaften von Kunst, Theater und Literatur. Ed. Christiane Hille and Julia Stenzel. Bielefeld: Transcript Verlag, 2014. 205-22.
  • "Pynchon's Games." Thomas Pynchon and the (De)vices of Global (Post)modernity. Ed. Zofia Kolbuszewska. Lublin: Wydawnictwo KUL, 2012. 251-75.
  • "Future-founding poetry after 9/11." Beyond 9/11: Transdisciplinary Perspectives on Twenty-First Century U.S. American Culture. Ed. Christian Kloeckner, Simone Knewitz, and Sabine Sielke. Frankfurt am Main: Peter Lang, 2013. 359-82.
  • "Imagining 18th-Century Globalization: Transatlantic and Transnational Phenomena in Thomas Pynchon's Mason & Dixon." Symbiosis: A Journal of Anglo-American Literary Relations 17.1 (2013): 21-37.
  • "The Democracy of Two: Whitmanian Politics in Only Revolutions." Revolutionary Leaves: The Fiction of Mark Z. Danielewski. Ed. Sascha Pöhlmann. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012. 1-32.
  • "Silences and Worlds: Wittgenstein and Pynchon." Pynchon Notes 56-57 (Spring-Fall 2009): 158-80. DOI: http://doi.org/10.16995/pn.12
  • "Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism." Metal Matters: Heavy Metal als Kultur und Welt. Ed. Rolf Nohr and Herbert Schwaab. Berlin: LIT, 2011. 263-77.
  • "Cosmographic Metafiction in Sesshu Foster's Atomik Aztex." Amerikastudien / American Studies 55.2 (2010), 223-248.
  • "Collapsing Identities: The Representation and Imagination of the Terrorist in Falling Man." Terrorism, Media, and the Ethics of Fiction: Transatlantic Perspectives on Don DeLillo. Ed. Peter Schneck and Philipp Schweighauser. New York: Continuum, 2010. 51-64.
  • "The Complex Text." Against the Grain: Reading Pynchon's Counternarratives. Ed. Sascha Pöhlmann. Amsterdam: Rodopi, 2010. 9-34.
  • "Editorial" (with Torsten Kathke). Current Objectives in Postgraduate American Studies 11 (2010). http://www-copas.uni-regensburg.de/articles/issue_11/11_00_editorial.php
  • "The Liberation from Narrative: Poetry and 9/11." Zeitschrift für Anglistik und Amerikanistik 58.1 (2010): 5-21.
  • "Shining on the Nothing New: Re-Making the World in Mark Z. Danielewski's Only Revolutions." R/Evolutions: Mapping Culture, Community and Change. Ed. Jennifer Craig and Warren Steele. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009. 64-82.
  • "Queer Postnationalism in Breakfast On Pluto." InterAlia 3 (2008/2009). http://www.interalia.org.pl/en/artykuly/20082009_3/05_queer_postnationalism_in_breakfast_on_pluto.htm
  • "Clean Hands and Dirty Hands: Colonial Violence in The Proposition." Weber: The Contemporary West 25.2 (Winter 2008): 90-111.
  • "Der komplexe Text: Das mathematische Spiel der Welten in Thomas Pynchons Roman Against the Day." Rev. of Against the Day, by Thomas Pynchon. Literaturkritik.de 9 (September 2008). http://www.literaturkritik.de/public/rezension.php?rez_id=12272
  • "How the Other Half Dies: Narrating Identities in Shelley Jackson's Half Life." COPAS 9 (2008). http://www-copas.uni-regensburg.de/articles/issue_09/09_00_contents.php; featured article at the American Studies Association's website of American Studies journals http://www.theasa.net/journals/featured_articles/
  • "Gravity's Rainbow." The Literary Encyclopedia. 24 Oct. 2006. The Literary Dictionary Company. <http://www.litencyc.com/php/sworks.php?rec=true&UID=4900>
  • "The Eternal Hourglass of Existence." Rev. of Nietzsche's Kisses, by Lance Olsen. electronic book review. October 20, 2006. <http://www.electronicbookreview.com/thread/fictionspresent/resisting>
  • "Thomas Pynchon." The Literary Encyclopedia. 18 Feb. 2006. The Literary Dictionary Company. <http://www.litencyc.com/php/speople.php?rec=true&UID=3673>

Reviews

  • Rev. of Wo sich Amerika erfand: Große Erinnerungsorte in Neuengland, by Arno Heller. Amerikastudien / American Studies 61.3 (2016), 405. Web.
  • Rev. of Stories of Survival: John Edgar Wideman's Representations of History, by Ulrich Eschborn. Anglistik: International Journal of English Studies 24.1 (March 2013): 208-11.
  • Rev. of Pynchon and Relativity, by Simon de Bourcier. Orbit: Writing Around Pynchon 1.1 (Fall 2012). https://www.pynchon.net/owap/article/view/34/88
  • Rev. of Interfaces of Fiction: Initial Framings in the American Novel from 1790 to 1900, by Christian Quendler. Arbeiten aus Anglistik und Amerikanistik 36:1 (2011), 88-91.
  • Rev. of Ethics and Politics in Modern American Poetry, by John Wrighton. Anglia - Zeitschrift für englische Philologie 128.2 (Dezember 2010), 351-55.
  • "The Word on Politics." Rev. of Verbatim: A Novel, by Jeff Bursey. American Book Review 31.6 (September/October 2010), 21-22.
  • Rev. of Conformism, Non-Conformism and Anti-Conformism in the Culture of the United States, eds. Antonis Balasopoulos, Gesa Mackenthun, Theodora Tsimpouki. Amerikastudien / American Studies 54.3 (2009), 523-25.
  • Rev. of Peeling the Onion, by Günter Grass. American Book Review 29.3 (March/April 2008). http://americanbookreview.org. Reprinted in "Best of LineOnLine," American Book Review 31.5 (July/August 2010), 20.
  • Rev. of Triangulating Thomas Pynchon's Eighteenth-Century World: Theory, Structure, and Paranoia in Mason & Dixon, by Manfred Kopp. Amerikastudien / American Studies 51.1 (2006), 129-31.

Translations

  • Latour, Bruno. "Ein Versuch, das 'Kompositionistische Manifest' zu schreiben." Telepolis. 11 Feb. 2010. http://www.heise.de/tp/r4/artikel/32/32069/1.html
  • Mitchell, W.J.T. "Bildwissenschaft." Frosch und Frankenstein: Bilder als Medium der Popularisierung von Wissenschaft. Eds. Bernd Hüppauf and Peter Weingart. Bielefeld: transcript Verlag, 2009.
  • Clarke, Bruce. "Der selbstreferenzielle Wissenschaftler: Erzählung, Medien und Metamorphose in Cronenbergs Die Fliege." Hüppauf and Weingart.
  • Cartwright, Lisa, and Morana Alač. "Imagination, Multimodalität und Verkörperte Interaktion: Eine Erörterung von Lauten und Bewegung in zwei Fallstudien der Kernspintomografie in Labor und Klinik." Hüppauf and Weingart.
  • Co-translator of David P. Boder's I Did Not Interview the Dead (1949), published as Die Toten habe ich nicht befragt (Heidelberg: Winter, 2011).
  • Translation and transcription work for the Voices of the Holocaust project (Illinois Institute of Technology & Galvin Library) http://voices.iit.edu/

Interviews

  • "Black Metal: Von der Entwicklung eines Genres." Sakona Webzine. November 2013.
  • "Human or Dancer?" Musikexpress. January 2009.
  • "Zwischen Perfektion und Illusion: Thomas Pynchons Gegenwelten." Generator. Bayern 2 Radio. July 2008.
  • "Warten auf Godot." Paraphernalia. Schalltwerk Radio. July 2006.

Verantwortlich für den Inhalt: Amerika-Institut